Showing posts with label yonder mountain string band. Show all posts
Showing posts with label yonder mountain string band. Show all posts

11 November 2013

Americana Music – The Roots of Some (But Not All) Evil?

 

For THE WAYBACK MACHINE I'm reclaiming posts that have appeared elsewhere on the internets. Maybe, for the sake of keeping things interesting, I'll update the post with additional commentary or a summary of some of the reactions it generated.

 

Americana Music – The Roots of Some (But Not All) Evil?
 

Do you want to know how to make somebody from New York City really mad?

A very happy ?uestlove.
Just accuse them of not having the best museum or delis or pizza, or not being at the center of something. I had this unfortunate experience with a tongue-in-cheek piece I posted on my blog a while back. (It was way more ‘tongue’ than ‘cheek.’) I accused New York City (I’m told you can just say ‘New York’) of not being at the center of the New Wave of Americana. (Sorry if you thought this was an article about THE ROOTS. I don’t want to make ?uestlove mad too.)

Take a second to pick up your hats and calm your womenfolk down.

So what had me so riled up? It was this little article in SPIN magazine. Something about somebody giving washboard lessons in Red Hook for $20 a pop. (I know, right? I laughed when I read it too.) I’m going to blame Mumford and Sons for this phenomenon. Not because they’re disingenuous or making crappy music, but because they made it acceptable for Blue States to like banjos. Almost overnight those five-stringed nightmares went from being an instrument of ridicule (How many banjo players does it take to eat a possum? Two, one to eat it and one to watch for cars.) to a symbol of tolerance and understanding. Like white people had been given their very own pan flute or bongos or didjeridu. And Mumford gave them a way to do it without having to acknowledge Skoal or NASCAR.

Johnny and friend.
To be fair, Nashville may have inadvertently shoved a lot of listeners into Americana when Columbia Records let Johnny Cash out of his contract, which forced Rick Rubin to record Johnny’s version of “Hurt.” A bunch of folks probably ran out and bought the record expecting to hear Cash’s take on other modern things, and instead got “Sam Hall,” a traditional English ballad about an old school death row prisoner, “Streets of Laredo” which recounts a dying cowboy’s last words, and “I’m So Lonesome I Could Cry,” which, of course, is a Hank Williams’ number about being lonely and crying.

So, besides Johnny Cash and Mumford and Sons, who should you all be listening to if you want to make it in the New Wave of Americana? Here’s a primer:

MIDDLE BROTHER combines jangly Nashville guitars with songs about booze and curse words. But the trio of Deer Tick’s John J. McCauley III, Dawes’ Taylor Goldsmith and Delta Spirit’s Matt Vasquez know how to turn a phrase. “…regrets, Tourette’s, I guess it’s the same.” And there’s a song about Portland.

MIDDLE BROTHER “Middle Brother”:



AVETT BROTHERS is a guitar/banjo/bass trio for the traditionalists in the group. They even come from North Carolina. How’s that for cred? But they aren’t really all that traditional. Check out “Kick Drum Heart” if you want to hear what I’m talking about. And hooking up with Rick Rubin isn’t really a traditional move either.

AVETT BROTHERS “Matrimony”:



GILLIAN WELCH and DAVE RAWLINGS Gillian Welch is the Fairy Godmother of Roots music. Her appearance in O BROTHER, WHERE ART THOU? pretty much confirms it. As a revivalist, Gillian has done as much as anybody to keep Roots and Americana alive during the pre-O BROTHER, pre-Johnny Cash HURT, Nineties. Bleak times for a revival.

GILLIAN WELCH AND DAVID RAWLINGS “Caleb Meyer”:



WILCO’s inclusion on this list doesn’t come easy, considering Wilco is a little more Radiohead than Hank Williams nowadays. But there’s no denying Jeff Tweedy’s contributions to Americana. No Depression, the now-defunct Americana, Roots and Alt-country magazine– took its name from Tweedy’s previous band’s first album (and a Carter Family song, “No Depression in Heaven.”) Don’t let the robonoise fool you, Tweedy still keeps it real.

WILCO NPR Tiny Desk Concert:



Here's some old school Uncle Tupelo for contrast AND because one day somebody will want to know exactly what 1989 looked like:



This list should be just enough to get you started. Talk to twenty different people and you’ll get as many different definitions of Americana and Roots. After all, it is the music of the people…

Whatever that means. Even the term ‘Americana’ suggests a hodgepodge of styles and influences. So consider this an apology, New York (City). As long as you’re part of America, you’re part of Americana.

Extra credit:

DR. RALPH STANLEY AND HIS CLINCH MOUNTAIN BOYS because he has a doctorate in BANJO.



THE CIVIL WARS. Remember that post-Grammy bump I told you about? (Is that a HATCH SHOW PRINT poster in the background? Why, yes it is.)




CAROLINA CHOCOLATE DROPS because nothing says ‘Americana’ like resonators and pork pie hats.



TIM O’BRIEN Best Virginia represent!



Yonder Mountain String Band! These are the guys that started it all for me. Yonder showed me how  The Beatles, The Misfits, Pink Floyd and guys like Ralph Stanley could all get along in the same setlist. (All videos were filmed on either February 24 or 25 at the Newport Music Hall, Columbus, Ohio. Heidi and I attended both shows, but none of the videos belong to us.)




08 November 2011

Download Yonder Mountain String Band, Cain's Ballroom, Tulsa, OK 01/29/05


     I reached into my pocket.
     "What’re you looking for?" Katy said.
     I showed her the long set of rattles I found in my dad’s closet. Jamie watched with keen interest, then said, "To keep the devil away, huh?"
     "Think I need it?" I gave him a half smile which he didn’t reciprocate. I dropped the rattles into an f-hole, then gave it a shake.
     Preston said, "Those don't always work, you know."
     "You hush up now, Preston." Jamie looked at me, "Hell Up Coal Holler, on three?"
     Jamie, Katy and I drew my bows like archers about to fire. When we released, sad triads floated into the valley. The syrupy notes that sprang from my f-hole stunned even my own ears. That unmistakable sound couldn’t be produced where Kentucky’s bluegrass sprouted. They were too busy with horses and basketball. And that sound couldn’t be produced in Tennessee’s Smoky hollows; they were too worried about Country and Western. That sad squeal was pure West Virginia. As I played I could feel the devil riding my bow.
     I had a real hard time keeping up with Jamie and Katy, who played these notes with well-practiced flourishes. These twelve notes, which journeyed with my pap’s grandfather over the gray North Atlantic when famine forced him from Ireland’s stony-green shore. These twelve notes, which sustained my grandmother’s grandmother when food couldn’t, when her trail led over frosty ridges into territory still haunted by ghosts of the first people. These few measures, which I played to announce my gratitude, to announce that my blood flowed for those who made me what I was, and for those who would speak of me when I was dead.


From the novel, HELLBENDER.

Banjos and Beatles. They said it would never work.

Download the show at Sugarmegs.

Yonder Mountain String Band
01/29/05
Cain's Ballroom
Tulsa, OK

Source: SBD (xlr out) > UA-5 (Oade warm mod) > Nomad JB3 @ 44.1 khz
Transfer: Nomad JB3 > PC (via USB) > CD Wave > FLAC16
Taped, transferred, and converted by Phil Rollins (philrollins@hotmail.com)

*******Do not encode to MP3 or sell this recording*******
*******Please contact me if you are going to do any remastering of this
recording*******

Set I
Disc 1

1. Intro
2. Bloody Mary Morning
3. Half Moon Rising
4. Easy As Pie
5. Near Me
6. Old Plank Road
7. New Horizons>
8. Finally Saw The Light>
9. New Horizons
10. Rag Mama
11. Idaho>
12. Come Together>
13. Traffic Jam


Set II

Disc 2
1. Intro #
2. Ruby
3. What's Going On In The Head Of That Woman
4. Night Is Left Behind
5. Hit Parade Of Love
6. Sharecropper's Son
7. Train Bound For Gloryland> *
8. Little Rabbit> *
9. Granny Woncha Smoke Some *

Disc 3
1. Sometimes I've Won
2. You're No Good
3. Only A Northern Song>
4. Snow on the Pines>
5. Mother's Only Son
Encore:
6. Crowd
7. Reuben & Cherise

26 March 2011

THE MUSIC AND PRESTON BLACK Rubycide!



So, this is going to be a little thing where I talk about the music from the world of THE DEVIL AND PRESTON BLACK. You could call it a series, but that would imply a regularity that I won't guarantee and a sense of professionalism that I may be incapable of. So let's just say a new THE MUSIC AND PRESTON BLACK will pop into your Twitter feed and onto your Facebook wall every now and then. It'll be like a tick, you may not even notice it then BAM! you got yourself some Lyme Disease.

And when these posts do pop up, I suggest you grab those earbuds and jam them deep into your favorite earholes because I ain't putting forth any crap here. This is all going to 100% rocket-fueled noise from as close to the source as possible (soundboards, soundboard matrices, FM broadcasts, etc.) so your brain doesn't lose a single note.

Here's how this will work. At the top of the post I'll talk about the band and the song, maybe the venue or circumstances surrounding the show or recording, if any.

Then I'll give you a link, just like this so you can listen along. Like Picture Pages with Bill Cosby back in the day.

Yonder Mountain String Band

The song is Ruby>Follow Me Down to the Riverside>Ruby (Know to Kinfolk as a RUBYSIDE or RUBYCIDE)

YMSB is a Colorado-based bluegrass band known for their live shows. Four phenomenal musicians cover a variety of material from traditional Stanley Brothers tunes to modern stuff like The Misfits' TWENTY EYES, Pink Floyd's DOGS, Talking Heads' GIRLFRIEND IS BETTER. They also pick songs from an extensive repertoire of originals. But for somebody unfamiliar with the band I think the covers are the gateway drug.

RUBYCIDE is a blend of a cover and an original, sharing a common thread--extra points if you can guess what that thread is. I chose this version because it's fairly self contained. The > in the description above indicates a segue from one song into the next. Jeff Austin's voice can be a little hard to take at times, but when he's on, like he his here, it fits the tune like maple syrup fits a pancake. What I really like though, and what elevates this song into 'epic' territory is the way the minor key drone of the banjo in the space between verses drives the song deeper and deeper, so when the body hits the water you knew all along it was coming. The frantic pace of the staccato mandolin and call and response of '...follow me down (to the riverside) follow me down (to the bubblin'bubblin') follow me down...' is Joey Ramone for 1939.

RUBY is an old Osborne Brothers tune that's about as Appalachian as yew pines and coal mines. Of course, somebody dies. (Or has just died.) The song's so dirty you want to wash your hands when it's over.

Ruby? Ruby? Honey are you mad at your man?

I sit here in the shade I shovel with the spade,
I'm diggin' in the ground's cold mine.
Oh Ruby Ruby honey are you mad at your man?

I've done all I can do to tag along with you,
Still you're not satisfied.
Oh Ruby Ruby honey are you mad at your man?

If you don't believe I'm right just call on me tonight,
I'll take you to my shady so cold.
Oh Ruby Ruby honey are you mad at your man?


Some pretty heavy stuff from a guy who plays an instrument with only five strings, right? Just wait. Yonder tacks RUBY onto their own FOLLOW ME DOWN TO THE RIVERSIDE.

...said I will take you by your hand,
lead yo' ass down to the banks of the sand.
I'll ask you one more time,
hey, sweet honey lover are you gonna be mine?
If the answer is no, well sorry honey, down, down, down, you must go...


Rivers and dead bodies. That's how I like my tragedies.

Listen to or download the whole show here. Highlights for me include the originals NOT FAR AWAY (There's a deep, dark hole in the mountain, where the devil sleeps all the time...) and ANOTHER DAY, an Adam Aijala number that shows the band's lighter side, a pair of story songs-SOMETIMES I'VE WON and DAWN'S EARLY LIGHT and the TROUBLED MIND>TWENTY EYES>TROUBLED MIND triptych.

Yonder Mountain String Band
July 26, 2007
THURSDAY AT THE SQUARE, Lafayette Square, Buffalo, NY

Source: audio-technica 4041's > Segue Dogstar Silver XLR > Edirol UA-5 [Oade P-mod] > Creative Nomad JB3 [44.1]
Lineage: JB3 [usb] > PC > CDWAV > FLAC (520 MB)
Taped by: Seth Nochajski & Keith Januszak
Transferred by: Seth Nochajski

Setlist:

Death Trip,
Not Far Away
Another Day
Little Rabbit
2 Hits And The Joint Turned Brown
Sometimes I've Won
Dawn's Early Light
East Nashville Easter
Troubled Mind > 20 Eyes > Troubled Mind
Idaho
Catch A Criminal,
Cuckoo's Nest
Ruby > Follow Me Down To The Riverside > Ruby

Encore:
Damned If The Right One Didn't Go Wrong
Half Moon Rising

Photo by Jason Jack Miller, Yonder Mountain String Band, State Theater, Falls Church, Virginia, October 22, 2005.

03 October 2010

Another from October 2005



Jeff Austin, Yonder Mountain String Band, State Theater, Falls Church, Virginia, October 22, 2005.

GHOST OF OCTOBER PAST



Yonder Mountain String Band, State Theater, Falls Church, VA
October 22, 2005

Set I

01) Bloody Mary Morning
02) Sideshow Blues
03) Shenandoah Valley Breakdown
04) Long Time
05) Red Rocking Chair
06) Kentucky Mandolin
07) The Bolton Stretch
08) Darkness And Light
09) This Lonesome Heart
10) Traffic Jam >
11) Ten >
12) Traffic Jam

Set II

01) High on a Hilltop
02) Steep Grade Sharp Curves >
03) Troubled Mind >
04) 20 Eyes >
05) Troubled Mind
06) Jesus On The Mainline >
07) Little Rabbit >
08) Jesus On The Mainline
09) Finally Saw The Light
10) Idaho
11) Yes She Do
12) 40 Miles From Denver
13) It Takes A Lot To Laugh, A Train To Cry
14) Snow on the Pines
15) Goodbye Blue Sky

Encore

01) Granny Woncha Smoke Some
02) Four Walls of Raiford